Dar Essalam review: our verdict
Alfred Hitchcock shot part of the film L'Homme qui en savait trop here, and the setting needs no further argument: Dar Essalam has been open since 1952 in a house partly built in the 17th century. Each room has its own character, the Royal Salon with its dome and fountain, the Marjane room all in wood, copper and zellige, the Bahja room under its intricate ceilings.
At night, the house transforms: the musicians gradually fill the room, the dancers move from table to table and get everyone moving. On the plate, generous classics, well-sauced tajines, royal or vegetarian couscous, mechoui, served by a team attentive to families, children and large parties. Those dreaming of a quiet dinner for two will come rather at noon: at night, you participate, whether you want to or not.
The best time slot: around 8 pm, to be settled in when the show gains momentum; book if you aim for the main hall. The best tip: lunch in the cool salons, served quickly if you have an appointment afterwards. Before leaving, climb up to the third rooftop terrace to see the Koutoubia above the rooftops.
